I've always found stuff about how technological/sociological advances beget changes in music really interesting. David Byrne's book 'How Music Works' covers this exact point about quantisation and much more.
I would argue that there's probably a lot more nuance here when you look at how economics of music have changed in the last 50 years - it's now so much cheaper and easier to produce and listen to music. There are millions of bedroom producers experimenting with production techniques, and the market for music is completely saturated with more good music than anyone could possible listen to. Record labels just can't compete when it comes to making interesting, creative music, however they can still win at marketing. I think the modern charts now are less determined by what resonated well with audiences, but rather what has been calculated to be the most 'marketable' kind of music, and I suppose a metronomic tempo is an easier sell in this regard.
Also worth noting: a perfect tempo makes a song a lot easier to remix, which can often gain the song a lot more exposure than the original edit.
Agree. What is interesting in a band situation is when one human does something another human doesn't expect, whether by accident or just trying something different. This cannot happen with solo artists and laptops.
This is why Angine De Poitrine is vastly more interesting than Tame Impala to me.
To play devil's advocate here, there are plenty of examples where computers (or other kinds of non-human systems) create music in a way which human listeners don't expect. Anyone who's ever played with a drum machine knows you can click a random pattern in and accidentally make something that sounds really good.
I didn't read David Byrne's book but I heard about it on the radio. Doesn't it also mention that drummers started playing with less tempo variation since drum computers are used?
David Byrne was recently on, of all things, Bloomberg's Odd Lots podcast:
> History is littered with ideas that have been tossed aside, only for them to gain relevance at some later date. Think of Moby-Dick: forgotten in Melville's time, but now regarded as the great American novel. Or the work of economist Hyman Minsky, which became influential a decade after his death, when the 2008 financial crisis made “the Minsky Moment” a mainstream term. These are just a couple of the things we talk about with the legendary musician David Byrne on today's podcast. Byrne's new book, Sleeping Beauties: Why Good Ideas Go Dormant and How They Wake Up, looks to categorize numerous “sleeping beauties” — ideas that were lost but then rediscovered. Besides Melville and Minsky, we also talk about the lost Roman recipe for concrete and we get into Byrne's thoughts on how to write a song and his own experience of having his music rediscovered by a new generation.
I just looked at my copy... Yes, Chapter 4: How Technology Shapes Music. He also discusses how he decides which "flubs and mistakes" he wanst to fix, remove, replace or keep.
> they already arrest over 30 people a day for speech that offends the prevailing political orthodoxy.
This is completely false and comes from a commonly misrepresented statistic; '30 arrests a day' is plainly the arrests made under section 127 of the Communications Act 2003 and section 1 of the Malicious Communications Act 1988 which includes things like online stalking and harassment. I hope you're just mistaken and not willfully implying that those issues are merely offensive to the prevailing political orthodoxy.
You can't argue with data that doesn't exist, either. The arrests are not broken down, so nobody really knows. Both sides can argue their opinion
You can argue it's highly improbable that all arrests are over 'hurty words online', definitely – but anyone claiming zero arrests seems improbable too.
I do also feel it's quite convenient that the lack of breakdown allows people to clap back with accusations of encouraging stalking and harassment.
No one is encouraging you to argue with data that doesn't exist and no one is claiming that no arrests are being made over political speech online. I don't disagree with your third paragraph but it seems clear to me that my original statement stands and it's quite suspicious that you responded it to with these strawmen.
Nothing I said implied that. I just pointed out that the original claim was false, it's utterly moronic and devoid of nuance for you to think that by doing so I'm implying that the opposite of the claim is true.
If they'd wanted the data, they could have submitted an FOI and asked for it, but the journalists far preferred to just run "30 people a day arrested for hurty words" rather than "this is quite complicated but potentially problematic and we should dig into it"
Yes but anyone who posts something about "loads of innocent people arrested for just voicing their opinion (man)" is implicitly disingenuous. I say that because the first time I heard someone say this (a friend who lives in the UK no less) I thought "that doesn't seem right" and so did a few minutes of Google searching. And of course it isn't right. People have been arrested for being threatening a.holes which seems perfectly fine. For comparison here in the middle of the US we have a lady in town who liked to send death threats (via mail) to the town manager, based on his chosen policies for street crossings, or something. Well she was arrested and put in jail for a while. She said she really didn't mean it, it was all a joke. Still in jail.
Well, the breakdowns are according to the offences the arrests come under. The police can't really release official figures for "arrests that would seen unjustifiable to libertarian-leaning HN readers", or "arrests for things that would not be a crime in the US".
It's not hard to imagine that not every derelict wreck has to turn into the new battersea power station. In fact, it's hard to think of a less inclusive redevelopment project in the UK than battersea power station.
Ok but that doesn't contradict the original point that the area ended up soulless and expensive, so your "people like you are what holds this country back" is still unjustified (and rude)
I'm a local to the area, I agree with everything you're saying here (despite the weird backlash) and I know exactly which shop you mean. That shop is one of the most bizarre shops I've ever seen. It's branded as a "general store" but there's absolutely no household brands, everything is about 5x the normal price and all of the shoppers look like rich influencers? I have a theory that the store is used to trial new products before they go to the wider market
I would argue that there's probably a lot more nuance here when you look at how economics of music have changed in the last 50 years - it's now so much cheaper and easier to produce and listen to music. There are millions of bedroom producers experimenting with production techniques, and the market for music is completely saturated with more good music than anyone could possible listen to. Record labels just can't compete when it comes to making interesting, creative music, however they can still win at marketing. I think the modern charts now are less determined by what resonated well with audiences, but rather what has been calculated to be the most 'marketable' kind of music, and I suppose a metronomic tempo is an easier sell in this regard.
Also worth noting: a perfect tempo makes a song a lot easier to remix, which can often gain the song a lot more exposure than the original edit.
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