I was an architect. There's some truth to what you're saying, but to be honest we rarely get the chance to enact such grand visions. Normally the stars have to align with the perfect client who has limitless budget. These crafts don't come cheap, you know! Gaudi does things with wood that frankly shouldn't be possible.
The other aspect I think also deserves attention is that as our lives have become more digitised and online, our care and attention towards the physical realm has degraded a little. We no longer need exquisite masonry to fire off the synapses - we have the endless scroll and the 24-hour news cycle.
Finally there is a small amount of survivor syndrome happening too - we keep the beautiful buildings but ignore or forget the enormous unhygienic slums that often co-existed with our most beautiful architecture.
The phrase “Japan has been living in the future since the future since the 80s” comes to mind. For a country so deeply rooted in the technological revolution of the last 50 years, it certainly doesn’t feel like it when your there. It’s a weird mix of culture, history, and a deeply capable people hamstrung by economic forces.
I think a lot of things stick around because they have a good bespoke manufactoring industry and maintenance practices. Old infrastructure and automations that were built during the bubble era still work and you can still get parts made for them.
reply